by Tia on Tue May 10, 2005 12:43 pm
There is an edited transcript of the interview on the website. Macdonald talked about previous efforts to make a dramatic film of TTV and the difficulty of portraying the internal monologue at the heart of the story. There is still interest in making it as a dramatic film, apparently.
Margaret Pomeranz commented that Joe is such a poetic speaker and the way that contrasted with the drama of the visual portrayal was a powerful element of the film. Macdonald said Joe told the story so well, and the honesty in the way the story was told made it powerful--Joe was not self-serving or trying to make himself out to be a hero. Macdonald said he used the widescreen closeup in the interviews to convey intimacy and to use non-verbal communication so that it feels like the viewer is with them and they are telling you the story. He compared the interviews to a psychoanalytic process.
Pomeranz commented that Joe was a sort of "flawed hero". Macdonald described him as "abrasive and stubborn" and said documentary allowed the filmmaker to show complexity, subtlety and idiosyncrasy in a way that was not possible in a fictional film. Pomeranz remarked on Joe tearing-up and Macdonald said how much that conveyed as Joe was otherwise understated and unemotional.
Macdonald repeated the comment about "homoerotic subtext" and the dynamics between the three men.
He talked about shooting in the crevasses and how they were beautiful and terrifying places. There was a bit on the cinematography and how excited they were to be shooting in such a beautiful place that had not been filmed before.
Lastly, the soundtrack was in two halves--the first half featuring an emotive score and the second half highlighting Joe's disintegration.
It was a good interview I thought--over twenty minutes' worth, with some intelligent questions asked (and answered)--worth listening to if you can access it.